%22%20xlink%3Ahref%3D%22data%3Aimage%2Fjpeg%3Bcharset%3Dutf-8%3Bbase64%2C%2F9j%2F2wBDACgcHiMeGSgjISMtKygwPGRBPDc3PHtYXUlkkYCZlo%2BAjIqgtObDoKrarYqMyP%2FL2u71%2F%2F%2F%2Fm8H%2F%2F%2F%2F6%2F%2Bb9%2F%2Fj%2F2wBDASstLTw1PHZBQXb4pYyl%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj%2FwAARCAAXACoDASIAAhEBAxEB%2F8QAGAABAQEBAQAAAAAAAAAAAAAAAAUCBAb%2FxAAgEAACAgICAgMAAAAAAAAAAAAAAgEDBBESIQVRMTKh%2F8QAFwEBAQEBAAAAAAAAAAAAAAAAAgEAA%2F%2FEABgRAQEBAQEAAAAAAAAAAAAAAAABEQIS%2F9oADAMBAAIRAxEAPwCyATvKZzY2q6%2FtP4ZmmXd7Q0976O5elg88ma3B4bt2%2BG9HX43Psa6KLZ36kkhdXVcAFEImZRN%2BYzu2lgAluFzNYjCrl%2BMNPvZurDsrykt5RMbAJ6pWRbAAnN%2F%2F2Q%3D%3D%22%20%2F%3E%3C%2Fsvg%3E)
Guillaume Tion ©Radio France - Christophe Abramowitz
Publicité
Où, de retour dans la hutte cérémonielle, Angélix retrouve la mémoire et évoque la pureté du son français.
Programmation musicale
- 08h50
%22%20xlink%3Ahref%3D%22data%3Aimage%2Fjpeg%3Bcharset%3Dutf-8%3Bbase64%2C%2F9j%2F2wBDACgcHiMeGSgjISMtKygwPGRBPDc3PHtYXUlkkYCZlo%2BAjIqgtObDoKrarYqMyP%2FL2u71%2F%2F%2F%2Fm8H%2F%2F%2F%2F6%2F%2Bb9%2F%2Fj%2F2wBDASstLTw1PHZBQXb4pYyl%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj4%2BPj%2FwAARCAAqACoDASIAAhEBAxEB%2F8QAGQAAAgMBAAAAAAAAAAAAAAAAAAECAwQF%2F8QAIxAAAgIBAwUAAwAAAAAAAAAAAQIAEQMEMUESFCEiMgVRUv%2FEABUBAQEAAAAAAAAAAAAAAAAAAAAB%2F8QAFhEBAQEAAAAAAAAAAAAAAAAAAAER%2F9oADAMBAAIRAxEAPwDrL8iDsEQseBcSn1EHoowO1SjkZNRrch60BC8ATV%2BN1eTMXTL9LLV9UCjbiZtAANZlo2eZFsdO4XFCEQVlreNqIK3uJjGcDxUfcjqB6TKJriZMZUuCeDDT4F01tds3kmV9wOVjbUgt8%2BJDWsMCPBh1r%2B5iGcAEER9wv8mBQdzFcsYCzChAruFydCFQIQkoQP%2FZ%22%20%2F%3E%3C%2Fsvg%3E)
Sur un prélude de bach
L'équipe
- Production
Stalagmite de la caverne